We should mention too that I Can, this new work also is credit offered in the program to orchestrator Matt Wong. Jones and Johns are current musicians in the Gateways Music Festival orchestra and its members recorded themselves at home for WQXR to put together for a virtual from-home performance. A great big deep bow and a warm welcome to this Carnegie Hall audience. Here are your tickets. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. John: A drum kit as well will be called for in this next piece by Jon Batiste, who is a Perspectives artist here at Carnegie Hall, which means he gets to oversee a whole series of events during this 2021-22 season. Kelly Hall Tompkins, the concertmaster giving the Gateways Music Festival Orchestra a chance to retune after that Brahms opening. Female Speaker 2: Your tickets, please. Okay. We'll hear the third of her symphonies this afternoon, which was commissioned by the Works Progress Administration's Federal Music Project. She is deeply grateful for the many . Over the course of each six-day festival, the musicians give a full orchestral . 3, which has a little more of a modernist aspect to it, at least at the beginning, although the texture clears out a little bit as the piece goes along. When 7:30 p.m. March 3, 2 p.m. March 5 Where Kirkwood Performing Arts Center, 210 East Monroe Avenue, Kirkwood How much $20-$65 More info 314-865-0038; winteroperastl.org. It takes active participation to do that. The Gateways Music Festival Orchestra makes its Carnegie Hall debut this month led by Anthony Parnther . We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. conducting engagements include the Los Angeles Philharmonic, Philadelphia Orchestra, Atlanta Symphony, Chineke! The members of the Gateways Orchestra are heading back out on stage at Carnegie Hall. Press Room. Jeff: Now on stage, Conductor Anthony Parnther, ready to lead the Gateways Music Festival Orchestra and the Symphony No.3 of American composer, Florence Price. In addition to this, the festival includes 27 performances this week, chamber music, lectures, a screening of a film, panel discussions. The chairs can be adjusted and the Brahms piano can be pushed out. 56a; George Walkers Sinfonia No. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. It's a new work by Jon Batiste, the Grammy-winning pianist and band leader you may know from The Late Night with Stephen Colbert. Anthony: I just feel that as musicians, our first responsibility is to come together and create beauty. May 12, 2021. Since its inception in 1993, the Gateways Music Festival Orchestra has cultivated diversity in the classical music scene. John: It turns out that Gateways isn't just an organization that serves musicians. to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. It is interesting that you went to Mozart and Beethoven. Maestro Anthony Parnther dari "Star Wars" dalam debut Carnegie Hall bersama All Orchestra. John: A terrific program today bookended by two sets of variations. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. George Walker composed it in 2003. I wonder if in working with them now if any vision has occurred to you? I think that them being together, there's something that happens to the air when they're all together because it is such an experience for them to be together and then to play great music at a high level, it's extraordinary. It's a work for piano and orchestra. To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. . Anthony: -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. They'll open the second half of the program with a big work by prolific American composer, Florence Price. Search University of South Carolina University of South Carolina Navigation. We should also mention Kelly Hall Tompkins, if that's a familiar name to our WQXR listeners, there's a good reason for that. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. Thank you, gentlemen. Recent performances include Los Angeles; Washington D.C.; Toronto; Danbury, Connecticut; and an eight-concert Midwest tour. Anthony Parnther, conductorAntoine T. Clark, assistant conductor, VIOLIN I Kelly Hall-Tompkins, concertmaster Cleveland A. Chandler Daniel Constant Caitlin Edwards Mellasenah Edwards Brendon Elliott Alex Gonzalez Mariana Green-Hill Marianne Henry Ashley Horne Amyr Joyner Kyle Lombard Jessica R. McJunkins Chelsea Sharpe Lionel Thomas Anyango Yarbo-Davenport, VIOLIN II Derek Reeves, principal Lucinda Ali-Landing Charlene Bishop Jeffrey Boga Dale Breidenthal David Burnett Nicole Cherry Frdrique Gnaman Bennie Harris Joshua Henderson Sarah E. Martin Phillip Payton Meredith Riley Booker Rowe, VIOLAJennifer Arnold, principalLeslie DeShazorAndrew FrancoisAshleigh GordonLinda GreenChristopher JenkinsCaroline JonesJaven LaraDeidra LawrenceAundrey MitchellYvonne SmithGeorge Taylor, CELLO Troy Stuart, principal Ifetayo Ali-Landing Cremaine Booker Eric Cooper Gordon Grubbs Joseph Hbert Timothy Holley Thapelo Masita Prudence McDaniel Derek Menchan James Ryan Murphy Wayne Smith, DOUBLE BASS Rick Robinson, principal William Johnson Kevin Mauldin Anthony Morris Jacqueline Pickett Patricia Silva Weitzel, FLUTE Judith Dines, principal Dennis Carter Jacqueline Cordova-Arrington Patricia Reeves, OBOE Titus Underwood, principal Hassan Anderson Sarrah Bushara Geoffrey Johnson, CLARINET Alexander Laing, principal Pamela Coats Robert Davis LeTriel White, BASSOONJoshua Elmore, principalAlexander DavisKai RockeMaya Stone, FRENCH HORN Larry Williams, principal David Dickerson Adedeji Ogunfolu Priscilla Rheinhart Jeffrey Scott, TRUMPET Herbert Smith, principal Javian Brabham Leonard Foy Courtney Jones, TROMBONE Burt Mason, principal Isrea Butler Timothy Robinson Martin McCain (Bass), PERCUSSION Ralph Barrett, principal Jauvon Gilliam Cleo Goldberg Don Johns Terry McKinney. I think it is very much Jon. I'm from the South, and I'm from the Baptist Church tradition, and. The Walker in its own way is a set of variations as well. John: Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. They're equally important to us. Bach to the Future will perform with the Gateway Festival Orchestra 7:30 PM, Sunday July 10, Washington University Brookings Quadrangle. The orchestra just rehearsed his new piece for the first time on Thursday, it's called I can. Exhausting, but exciting. Description. We talked on Friday with Lee Koonce, the festival's president, and artistic director about exactly who it was, who started this whole Gateways thing, and what her vision has led to. 2022 Gateways Orchestra 2022 Guest Artists & Chamber Music Musicians Gallery Listen Gateways Radio Stream . Click on individual event for more information and to purchase tickets. Gateways musicians let their hair down in a fun, club-like environment and perform pop, R&B, Jazz, gospel, reggae and everything in between! Gateways is receiving an $800,000 award from the. A A. It is his voice. . The Gateways Music Festival is getting a substantial grant to continue its mission of supporting classical musicians of African descent. In May 2016, Gateways Music Festival formally affiliated with the Eastman School of Music, a festival partner since 1995, but remains an independent non-profit organization. Now on stage, Conductor Anthony Parnther, ready to lead the Gateways Music Festival Orchestra and the Symphony No.3 of American composer, Florence Price. Gateways Music Festival Orchestra. Alex, thank you for stopping by. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. SAHAM. GATEWAY FESTIVAL ORCHESTRA. Orchestra Hall I should have asked you that before this began, but I'll lay it on you anyway. It's an incredibly exciting week for all of us. Jeff: Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. From Carnegie Hall Live, the Symphony No. The conclusion of seven days of performances in New York City. We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. Three-movement work played by the Gateways Music Festival Orchestra in their Carnegie Hall debut from Carnegie Hall Live. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. There are some elements of truth to that, but what's happening in a concert hall is not just a celebration of Brahms and Walker and Batiste and Price, but it's also a celebration of the audience. We are about to hear this performance of the, , music by Johannes Brahms based on a theme that probably wasn't actually written by Haydn. This concert is in fact part of his Perspectives series, but today's premier. WEDNESDAY, APRIL 20, 2022 | 7:30 PM The 120-member Gateways Music Festival Orchestra, whose distinguished players hail from the nation's foremost orchestras and conservatory faculties, is renowned for its bold sound, exciting interpretations and uncompromising pursuit of artistic excellence. It can also serve as a beard or it can veil other, I think, less inclusive narratives. When I got the call to be part of this momentous occasion tonight and the request was to write a piece that was inspired by a written word, this felt very apt. John: Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of "I can.". General Admission. In addition to this, the festival includes 27 performances this week, chamber music, lectures, a screening of a film, panel discussions. Anthony: There's a significant difference between conducting full-time orchestras and in this orchestra of special musicians from all over the country who do not play together regularly, once every year, once every couple of years. What does it mean to this orchestra? We principally had one and a half days to piece this work together. Bless the Michael Morgan. The Gateways Music Festival Orchestra are set to perform at Carnegie Hall on April 24th, 2022, making them the first all-Black orchestra to do so in the renowned venue's 130-year history. Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. That'll be the next work on the program. General Admission. Also particularly looking at it from the context of American orchestras. Gateways Music Festival was founded in 1993 by Armenta Adams Hummings Dumisani in Winston-Salem, North Carolina. 56a; George Walkers Sinfonia No. She had this great idea to provide a safe affirming space for classical musicians of African descent. We know that it is, and that's what we're doing. Carnegie Hall Presents Across the Stars: The Music of John Williams . Music Director The Gateway Festival Orchestra of St. Louis Home Music Director Darwin Aquino, Music Director Darwin Aquino joined the Gateway Festival Orchestra as Music Director in 2019. I'll share it with you now. Right now, the stage door opens and back out to center stage here at Carnegie Hall, strides the conductor Anthony Parnther to lead this first performance at Carnegie Hall of George Walker's Sinfonia No. Experience the rich sounds of the @gateways_music orchestra on Wednesday, April 20 at @EastmanTheatre for free. Lee: I think it is very much Jon. Alex: Yes. ICS was also the ensemble in residence at the 2010 and 2013 Southampton Arts Festival in Long Island, New York. That was my first Gateways. "Oh, well this is classical music. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. I wrote this poem in the summer of 2020. She thought, "If a five-year-old kid sees the Gateways orchestra up there and that kid will say, You know what, I can play hip hop. It's available to this art form too if it wants to. The Gateways Music Festival is getting ready for its Carnegie Hall debut. It's full orchestra and piano and just him. There was this outpouring of interest from all over the country. Conductor Anthony Parnther led this orchestra, all musicians of African descent, and. That was cemented well before I became involved. John: It is interesting that you went to Mozart and Beethoven. She's a person that no one really says no to. Gateways musicians are rewriting that narrative., Alexander Laing, principal clarinet,Phoenix Symphony and Gateways Festival Orchestra, Armenta Adams (Hummings) Dumisani, Founder & President Emerita. Before everyone dressed all in black, second half, everybody has a splash of color. You've been in the Gateways Orchestra since the start. I think also really significant for us is this is the first time that the orchestra or the festival has toured, has branched out of being in one place. John: And serves on the board of directors in this orchestra. Jeff: It's wonderful to have you here. George Walker was the first Black composer to win a Pulitzer prize in music that was in 1996 for his piece, . Free, but tickets are required.. Alcohol served. It's this kind of dual mission. Alex Laing, the principal clarinet of the Gateways Music Festival Orchestra, also serves on their board of directors. Jeff: Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. GATEWAYS MUSIC FESTIVAL, INC. 26 Gibbs Street, Box 58 Rochester, NY 14604. info@gatewaysmusicfestival.org (585) 274-1170. At least that's the case with her first, third, and fourth symphony. The concerts are free to attend. Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. If you can see it, you can be it, is the expression. See locations and times below. Our satisfied clients include youth, high school, college, university and adult groups, including church and alumni tours. 3 by George Walkerthe first African-American Pulitzer Prize for Music Laureate and whose centennial falls in 2022. The Gateways Music Festival is opening up a vital future for classical music, and we are honored to be part of it." To learn more about Gateways Radio or locate stations that broadcast the series, go to GatewaysRadio.org. Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. In NYC, five of New York Citys premier venues welcome Gateways ensembles and guest artists. Gateways Radio airs Friday evenings at 9 p.m. beginning on February 3. , the name of that piece. "Oh, well this is classical music. One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. We have made 400 complimentary tickets available, and you can reserve yours at the link below with promo code RACF50. This is the intermission of this concert, the Gateways Music Festival Orchestra. The African cloth comes out and no two people look exactly the same. The work we'll hear today is a bigger piece by George Walker, his Sinfonia No. I think the possibility of spontaneity is what makes this particular live performance so deeply engaging and organic for everybody involved including the audience. He has premiered and recorded works by Anthony Davis, George Walker, Errollyn Wallen, John Wineglass, Gary Powell Nash, Marian Harrison, Renee Baker, James Wilson, Phillip Herbert, Daniel Kidane, Chanda Dancy, and James Newton. Jeff: From Carnegie Hall Live, the Symphony No. There's a great degree to which American orchestras and American so-called classic music generally has really kept its most powerful legacy at arm's length, which is the music of Black people and Black Americans. We did that in Rochester also a couple of days ago when we presented this program minus the Batiste work. Her goal was "to open the gates to classical music for musicians and audiences alike so that as many people as possible could play, see and hear the music". I can play jazz, but I can also play Beethoven.'" We exist outside of space, time or this place." Yes. It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. World premiere, so a song and a kind of sweet for piano into orchestra all in one extraordinarily well-received performance here on the main stage at Carnegie Hall. That was cemented well before I became involved. Gateways Music Festival Orchestra was founded in 1993 by prominent pianist and educator Armenta Adams Dumisani. All right. Anthony: Lift Every Voice and Sing. Lee Koonce: Armenta Hummings Dumisani, I think the term force of nature was created for her. is sacred to my community. Alex: Not since the start, but since 2001. We understand its importance, so that's really significant. 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